Review of In Open Contempt: Confronting White Supremacy in Art and Public Space by Irvin Weathersby Jr.
From the moment I stumbled upon Irvin Weathersby Jr.’s In Open Contempt, I knew it was a book that would resonate with me on many levels. The blending of art, history, and social justice, particularly within the context of the ongoing struggle against white supremacy, is something I’ve been keenly aware of—and, admittedly, deeply troubled by—for some time. Weathersby’s unique perspective as a Black man grappling with America’s painful legacy reeled me in, and I couldn’t wait to delve into his thoughts.
In In Open Contempt, Weathersby presents a compelling exploration of how art and public spaces shape our understanding of history and identity. He deftly examines national monuments and memorials that glorify figures entrenched in a history of violence and oppression. It’s a theme he articulates powerfully: "That’s the thing with museums and art and public space…how art, when executed in concert with the natural world, raises the stakes and evokes sensations more powerful than can be felt in isolation." This resonated profoundly with me, as it urges us to reconsider how the spaces we occupy reflect, inform, and often distort our collective memory.
The book is structured as a memoir that oscillates between personal narrative and art criticism, striking a fine balance that kept me engaged throughout. Weathersby’s reflections on his own experiences with racism are poignant and honest. He openly acknowledges his unique position as someone who is "technically, half-white," allowing readers to perceive the complexities of identity and racism from multiple angles. This introspection enriches the text and invites readers like me—who may not share the same lived experience but who care deeply about social justice—to reflect thoughtfully on their own perspectives.
One of the most striking aspects of the book is Weathersby’s unflinching honesty about the state of America. His assertion that "the American legacy of white supremacy is everywhere one looks" compelled me to pause and reflect on my own surroundings. Whether discussing the controversial statue of Jefferson Davis or the elegant yet troubling grounds of Monticello, his insights about public spaces serve as a call to action for anyone who believes in equality and justice.
Weathersby’s writing style is both fluid and empowering, making complex ideas accessible without sacrificing depth. The pacing allows for moments of introspection that linger, inviting readers to fully digest the weight of his words. His call for a more inclusive narrative around public art and monuments helps cultivate a growing consciousness, suggesting that change is possible—even if, as he notes, pushback is inevitable.
For anyone concerned with the intersection of art, history, and racial justice, In Open Contempt is a must-read. It’s not just a book; it’s a bold statement about the urgency of confronting racial discrimination in all its forms. While the road ahead may be fraught with challenges—especially as Weathersby subtly hints at the rising tide of white supremacy—we are reminded that vigilance is crucial.
This reading experience left me not only with a deeper understanding of the systemic issues surrounding white supremacy but also with a sense of hope. Weathersby’s eloquent prose inspires action and encourages dialogue that feels both necessary and timely. If you’re seeking a book that broadens your perspective while prompting you to engage more critically with the world around you, then let this remarkable work by Irvin Weathersby Jr. be your guide.
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